Walter Crane: The Arts and Crafts, Painting, and Politics, 1875-1890, Yale University Press, 2010 (UK), 2011 (US).

The Edwardian Sense: Art, Design, and Performance in Britain, 1901-1910 (co-editor with Michael Hatt), Yale University Press, 2010.

Reviewed: Open Letters Monthly: An Arts and Literature Review 2 August 2010,; Times Literary Supplement 1 December 2010,

Exhibition Catalogue (single author):

“Art and Labour’s Cause is One:” Walter Crane and Manchester, 1880-1915, exhibition catalogue, Whitworth Art Gallery, University of Manchester, 2008, 141 pages.

Reviewed: Journal of Design History 22 (December 2009): 417-20


“Walter Crane’s Floral Fantasy: The Garden in Arts and Crafts Politics,” Garden History 36:2 (Winter 2008), 289-300.

“Rhetorics of Display: Arts and Crafts and Art Nouveau at Turin, 1902,” Journal of Design History 20/3 (Autumn 2007), 205-225.

Pandora’s Box: Walter Crane, ‘The Sphinx-Riddle,’ and the Politics of Decoration,” Victorian Literature and Culture 35/2 (Fall 2007), 309-326.

Chapters in books and exhibition catalogues:

“Hugh Lane in South Africa,” in The Art of Transculturation, 1770-1930, ed. Julie Codell (Ashgate, 2012)

“Decorative Politics and Direct Pictures: Hugh Lane and the Global Art Market, 1900-1915,” in The Rise of the Modern Art Market, ed. Anne Helmreich and Pamela Fletcher (University of Manchester Press, 2012)

“Paintings from Nowhere: Walter Crane, Socialism, and the Aesthetic Interior,” in The Aesthetic Interior: Neo-Gothic, Aesthetic, Arts and Crafts, ed. Imogen Hart and Jason Edwards (Ashgate, 2010), 148-167.

“Kingdom of Darkness, Kingdom of Light: Photography in Victorian Britain,” in The Gift of Light: The Janos Scholz Collection of Nineteenth-Century European Photography, ed. Steve Moriarty (University of Notre Dame Press, 2002), 35-64.


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